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August 28, 2010 - Taking the show on the road – again!

Filed under: Advocacy,Computing,FLOSS,Media,Ubuntu — Tony @ 1:55 pm

You might have heard us talk about this on the latest episode of the Ubuntu Podcast from the UK, but we’re going to be at OSSBarCamp in Dublin on the 24th and 25th September. We went last year and had a great time. Now it’s grown to a two day event, has two streams and a coding competition. There’s a already a lot on the timetable, including talks from Alan, me and my good friend Matt Revell. We’re also going to be doing a live podcast recording on the Saturday, so come along and watch us sweat and prattle our way through an hour show! I’m really looking forward to doing another live show, and we’ll certainly be ready for the party at the Landsdown Hotel afterwards…

Come along and say hello!

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July 4, 2010 - Ubuntu Lucid on the Viglen MPC-L

Filed under: Computing,FLOSS,Ubuntu — Tony @ 3:48 pm

In order to be able to update a bug I’d filed against the graphics driver on the Viglen MPC-L, beloved hardware of the Ubuntu Podcast listeners, I set about installing Ubuntu 10.04 LTS, nicknamed Lucid. This wasn’t as straight forward as it could have been, so here’s how I did it:

  1. Downloaded the Ubuntu i386 desktop ISO.
  2. Turned it into a bootable USB stick using the “Startup Disk Creator” program in System Tools.
  3. Booted the MPC-L off the USB stick. (N.B. It will only boot from USB sticks inserted into the rear USB sockets.)
  4. At the splash screen, selected the advanced boot options, and appended pnpbios=no noapic acpi=off to the boot options.
  5. The system then booted to the text-based installer. I didn’t tell it to use this installer rather than the graphical one, it just did.
  6. Followed the installer process through, noting an error about not being able to install a suitable kernel. I think this is because the Lucid kernels are compiled for i686, whereas the MPC-L is essentially an i586 CPU (AMD Geode).
  7. At the end of the installation procedure, at the “reboot” prompt, I selected “Go back” and chose to start a terminal session.
  8. In the terminal session I set up a chroot to install a suitable kernel:
    # mount -o bind /proc /target/proc
    # mount -o bind /dev /target/dev
    # mount -o bind /dev/pts /target/dev/pts
    # mount -o bind /sys /target/sys
    # chroot /target
  9. Then I installed a kernel: apt-get install linux-386
  10. Once the kernel had installed, I exited the chroot and terminal (type exit twice). This returns one to the installer menu.
  11. Then I selected the reboot option from the installer menu.
  12. After a reboot, the system came up just fine.

As ever it’s worth noting that running GNOME on the 400MHz CPU of the MPC-L is quite hard work, but can be done. Check out Xubuntu or Openbox for more suitable desktop environments though.

Oh, and the bug wasn’t present in Lucid. :)

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May 12, 2010 - OggCamp10 – veni, vidi, vici

Filed under: Advocacy,Computing,FLOSS,Media,Ubuntu — Tony @ 11:11 pm

OggCamp10 came and went so quickly that it seems vaguely surreal already. The months of work poured into the event all exploded across 48 hectic hours in Liverpool. Now it’s all over, bar the administrivia. It’s just crazy that people travel from all over the country, and even abroad, to come to something we’ve set up. Crazy in a great way, crazy in a way that puts pressure on us to make sure the event goes well, crazy in a way that we really appreciate, but crazy nonetheless. So, how to sum it up? To be honest, I’m not in much of a position to do so. Such was the pace of the weekend that I spent most of it running around the main stage. I didn’t see any talks in either of the two smaller stages. Not one. There were also lots of people I only got to say hello to in passing, something which comes with the workload of running an event, but is still a bit sad. There are some great photos emerging on flickr too. So I’ll share my memories, but they are but a small, small part of the picture.

Laura and I set off for Liverpool early on Friday morning, via Basingstoke and Hammersmith. We were collecting bits of equipment for the event on the way, adding to the assortment of raffle prizes and other boxes which were already packed into the car. I had arranged to collect the kit as, at the time of booking it, we weren’t sure how much sponsorship money we’d have. Collecting kit in person saves on a day’s hire and a delivery charge. It added a few hours to the journey time though. The Hammersmith location was a small recording studio in a town house, of which I was immediately jealous. It looked like the perfect place to record podcasts. :) Goods all safely gathered in, we set off for the north.

The Black-EThanks to the wonder of Google Latitude we could see that we were going to reach the M6 at almost exactly the same time as Alan and Laura Czajkowski. We arranged to meet at the next services, where we enjoyed a quick break and a catch-up. Driving into Liverpool around 5pm, we were overtaken by Ciemon on his motorbike at some traffic lights. Laura and I went straight to the Black-E to drop off the kit from the car. We met up with Dan and Dan’s mum, Agnes, and helped them unload their car too. This was my first chance to look around the venue – Dan had seen it many times and Laura had visited a couple of weekends previously. I’d seen photos of course, but there’s no substitute for being there in person. It was immediately clear that this was a very cool venue, with just the right vibe. It was a real shame that the refurbishment work hadn’t been completed as this took quite a lot of the shine off. The main stage was just massive. With two hundred seats set out, there was still plenty of space round the outside for people to stand. There were two balconies right around the space, giving the whole thing the feeling of a roman gladiatorial arena. At least, to my slightly nervous and overwhelmed mind.

Graham shooting PopeyAfter checking in at our fairly minimal hotel, we had a quick brush-up before heading back to the Black-E for a photo-shoot. That’s right, someone actually wanted to take some photos of us. Graham Binns was taking photos during the OggCamp event but wanted to take some photos of the UUPC mob as a separate project. Although there was some confusion about where we were shooting, we had access to the venue for half an hour, where he shot some portraits. After that, we were whisked off to the beaches with Antony Gormley’s Another Place installation for some brief and cold photos. Graham has blogged about the process and whilst I agree with some of the areas for improvement, the results are very pleasing. We wrapped up just as the light faded.

UUPC on the beach - Graham Binns

After getting back from the photo-shoot, we went to find something to eat. Always the gastronomic adventurers, we ended up in Pizza Hut with Andy Stanford-Clark, Simon Phipps, Roger Light and Laura Czajkowski. One of the lessons I learnt this OggCamp is that not having a designated hotel is a pain! People end up staying all over the town and something as simple as getting together for a meal can become a much more protracted and involved operation than I’m comfortable with. After eating, most of us finally made it to the Rathole Radio gig, an arrival which was delayed by my poor map-reading in the darkened alleyways of Liverpool. We arrived just in time to get a beer in before Dan and his band took to the stage and played a great set. The venue was great, reminiscent of the Cavern Club with its low vaulted roofs. Seeing people gathering helped build the sense of anticipation for the following day. Weary from our travels and aware of the early start the following day, we left around midnight.

We arrived at the venue at 8am, beaten to it by a few ever-eager crew members. Those who had stayed up later at the Rathole gig rocked up some time after the designated start time. ;) A whirlwind of activity ensured that exhibitors were loaded in, signs stuck up, projectors configured and PAs set up. The fantastic banners heralded the event outside the Black-E and there was a crowd outside well in advance of the doors opening. In what seemed like no time at all, we were on stage welcoming everyone along and introducing the first speaker, Simon Phipps. Fortunately lots of people had come along ready to give talks, so I missed Simon’s talk to help Laura set up the schedule for the rest of the day. Unfortunately we were rather surprised by the number of people putting forward half hour talks rather than hour long ones. Worried about not having enough talks to keep everyone occupied, we chickened out and only scheduled a single round of talks before lunch. In hindsight I’d have preferred to pack that time slot out more as it felt like a bit of an anti-climax. Being stuck up on the balcony looking after the sound desk, oblivious to the fascinating talks going on on the other two stages, it all felt like a bit of an anticlimax and I crashed hard.

After a lunch break the afternoon schedule kicked off with another round or two of talks. Dan did a great job of chairing a panel session, keeping our very chatty panelists in line with ease. All the panelists were great, but it was especially good to see Brad Pearce being part of it. Brad came along to OggCamp and offered a talk on neuroscience. During the talk it was clear that he was an articulate and intelligent speaker, so we just asked him to join the panel! It was also great to see my friends Ade Bradshaw and Chris Procter, former LugRadio presenters, taking part. Both had come along to support the event, but it was nice seeing them spout forth a bit. :) Saturday concluded with the wonderful raffle, with a range of prizes donated by various generous companies. Dave showed his salesman instincts, flogging loads more tickets just before we got underway. I really enjoyed the raffle, it was exciting, a little bit tense and very funny. Oh, and it helps us cover the costs of the event too.

After a pit stop at the hotel, (oh, alright, we watched Doctor Who) we headed off to Studio2 for the evening session. Studio2 is a fantastically cool venue, perfect for an event centred around two podcasts. It’s a recording studio, complete with sound booths and large studio monitors in the walls. Thanks to yet more poor navigation on my behalf, Laura, Andy Stanford-Clark and I took far longer to get there than we should, so we missed last orders for food. We had to make do with a nearby restaurant in Chinatown instead. :) We were finally able to let our hair down a bit at Studio2, knowing that tomorrow would not be an early start. But before too long it became clear that the day had taken its toll and we headed back to the hotel, leaving others knocking back baby guinesses.

The Live Show - By Lorna Jane Mitchell

The Live Show - By Lorna Jane Mitchell

Sunday was quieter than the Saturday, which was the case at LugRadio Live too. I’d love to know why people only attend on the one day – do they have family commitments on the other day, or just called in on the Saturday on the off chance? Nothing wrong with just coming on one day of course, but I’m curious. Again, I was in the main stage for most of Sunday, catching Alan Bell’s interesting talk on VoteGeek and Andy Stanford-Clark’s twittering house talk (for the third time!) This year we had provided a clip radio microphone for speakers and they all seemed more comfortable with it than the handheld radio microphone. Definitely a win over last year. But before we knew it, the live show was bearing down upon us. Popey had squeezed some ideas out of us and ensured that we all knew roughly what was going on, but the combination of nerves and having seven people on the stage meant that we were tripping over each other a bit during the recording. Although Fab and Dan are used to working together, and the UUPC presenters are too, we’re not used to working with all of us at once so we didn’t do as good a job of second-guessing what we were going to do as we could. That said, the show picked up pace in the second half and the last few minutes were really funny. We had to edit it a bit for the Ubuntu Podcast version of the show to stay family-friendly, but the Linux Outlaws released the unexpurgated version for those who aren’t of a sensitive disposition. (I’m very pleased that something I said became their episode title!) It’s always difficult to know how it went immediately after recording, but we had lots of great feedback. Then within an hour we packed up all our stuff and got out of the venue. A quick stop at the hotel to drop all the boxes off preceded another meal in China town, this time with Laura Czajkowski: a chance to mull over how we could make the event better in future. Yup, despite all the stress, pressure and work, it looks like we’re doing it again next year. We rounded off the weekend with a few more beers at Studio2, though once again tiredness hit before too long.

We drove home at a leisurely pace the following day, reflecting on the event and how all these amazing people come together from around the country, work hard, play hard and then disband, scattering across the globe. Events like this are essentially ephemeral, but not being able to speak to everyone and viewing the whole thing through a fug of tiredness is slightly disappointing. I don’t blame those who steer clear of volunteering for things. That said, I’m already looking forward to getting stuck into organising next year’s event. Once we’ve all unwound and properly put OggCamp10 to bed, we’ll think about “next year”, but please give us some time to get over this one first!

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April 25, 2010 - OggCamp10 – so close you can taste it

Filed under: Advocacy,Computing,FLOSS,Media,Ubuntu — Tony @ 9:16 pm

OggCamp10 is just a few days away. In fact, it’s next weekend. Before I know it, it’ll be Friday and I’ll be on my way up the M6 to sunny Liverpool. With a packed week ahead at work, an evening class and an entire episode of the Ubuntu Podcast for the team to record, edit, mix and release before we go, it’s going to be mad and manic and marvellous.

In the last week or so, things have really started to come together. Equipment is booked, ready to be collected or delivered, kit lists are being checked and double-checked, travel plans calculated and all the last minute details being sorted. Unfortunately, the venue staff have told us that lift to the first floor, where main stage is, won’t be finished in time for OggCamp. The lift to basement is OK, and the exhibition is on the ground floor. The crew will help any wheel-chair users to get up to the first floor, but we’re really sorry for the inconvenience.

On a happier note, the mugs have arrived, looking all shiny and lovely:

OggCamp10 mugs

If you donate £5 to support the event, you can get your hands on one of these bad boys. Be the envy of geeks everywhere! Our exclusive t-shirts are also being printed as I type. From what I’ve seen so far they look fantastically cool and they are a “thank you” for everyone who donates £10 to support OggCamp.

The banners which will be hanging outside the venue have also been printed, and look like this:

OggCamp banner

I’m sure they are going to look great hanging outside the Black-E and, like all the design elements of OggCamp, are the result of Fab’s skills.

We’ve also had a flood of cool donations to our raffle. This was a highlight of last year’s event for many people. This year’s prizes include:

That’s a seriously nice collection of goodies, any of which I’d be happy to get my hands on! Every day new talks and activities are added to the OggCamp ideas wiki. I just hope I get time to enjoy some of them! With our Saturday night shin-dig now confirmed (Studio 2, from 7pm, a suitable venue for a podcast party if ever there was. ;) ), and the volcanic ash being kept at bay, it looks set to one hell of a weekend. If you’re as excited as we are about OggCamp, join us in #oggcamp on the Freenode IRC network or our facebook page.

I can’t wait to see you there!
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March 18, 2010 - COOL-ER ebook reader review

Filed under: Computing,FLOSS,Media,Ubuntu — Tony @ 8:08 pm

This review is a supplement to the one on the Ubuntu Podcast from the UK Local Community.

The COOL-ER ebook reader is available in a range of colours. When the good people at COOL-ER told me that they only had pink review units left, I had a mental image of something the colour of Barbie’s car. It was a pleasant surprise when a unit in the palest of pinks with a brushed metal look arrived. Something I could definitely hold on a train without my innate masculinity being threatened.

The device is supplied with a standard USB cable and a quick start guide. No software is bundled, meaning Windows and Mac users have to download their copy of Adobe Digital Editions from the web. The lack of bundled software is reassuring to Linux geeks, because it means the device must operate as a mass storage device, which work flawlessly with Linux. On plugging it in, the COOL-ER automatically started charging and was detected and mounted on my Ubuntu system. The directory structure follows that of the on-screen menus: one for “Digital Editions”, one for music, another for other documents. Adding Free content to the COOL-ER is a simple click and drag operation, but adding DRM-protected books requires Adobe Digital Editions. Adobe initially promised a Linux verison of this Flash application, but have since reneged on it. So users of Ubuntu and other Linux distros are pretty much stuck to free books like those available from Project Gutenberg, a very worthy project and full of some great classical works, but a little light on pulp fiction.

The COOL-ER has 1GB storage, which equates to just under 900MB usable space. At about 1MB for a novel in ePub format, that’s a lot of books! It can also be supplemented by a 4GB SD card. I loaded the PDF version of Jono‘s Art of Community and a variety of books in HTML and plain text book from Project Gutenberg. Bizarrely, whilst the COOL-ER was rock solid whilst displaying the ePub book, it crashed repeatedly showing the HTML and plain text books. Some crashes resulted in the unit rebooting (a rather slow process which takes about theirty seconds) and on a couple of occasions required a reset using the dimpled button on the rear.

Because it is so light, the COOL-ER build quality doesn’t feel great. It doesn’t flex or bend in the way that you would expect a poorly constructed product to, but it does creak a little. A screw fell out of the unit whilst I was using it, although being a review unit, I can’t tell whether this is due to poor build quality or whether a previous reviewer hasn’t dismantled it and not tightened everything back up properly. The device is very light, weighing in at under 170 grams. It is lighter on the wrist than anything but the thinnest paperback. It has a beautifully simple appearance, with the only button on the front being an ipod-like 4-way dial with centre button, although the print on this did wear off whilst reading a single ebook. It looks as if it’s been designed as the ebook reader for the Apple fan. The high resolution epaper display is clear and easy to read. It is not backlit, like all ebook readers, and is ever so slightly too small to display a useful amount of text in a legible size at a comfortable reading distance. This means changing pages much more frequently than a paper novel and, as page changes seem to be as slow as with other ebook readers, the reading process feels disrupted.

It charges over the USB cable, meaning there’s likely to be a way to charge it pretty much anywhere. Charging seemed pretty slow, taking about 9 hours to charge from nearly empty to full. Geeks with the Ubuntu travel adapter will be able to charge it on holiday even without a laptop to hand. Next to the USB connector, on the bottom edge of the device, is a 2.5mm headphone jack. This is smaller than the standard 3.5mm size but apparently there is usually an adapter supplied (it was missing from this review unit). The chassis of the device is big enough to to incorporate a 3.5mm jack socket, so presumably it is the internal design which prevented one from being included. Hopefully a full-size socket can be included in future versions, as the need for an adapter detracts from the convenience of having the unit play MP3s in the first place. The right hand side has a rocker switch for increasing or decreasing the size of the text, whilst the left has four buttons for navigating the menu and other functions. The landscape-view button switches the orientation of the screen and works very well as a landscape display too.

What appeals about this device is its simplicity. Unlike the kindle or the Sony ebook readers, the front of it isn’t cluttered with buttons. It doesn’t try to be anything more than it is – a replacement for books. Yes, it incorporates MP3 playback, but reading a book and listening to some suitable music go hand-in-hand. What could be better than having your COOL-ER provide the music when you’re lying on the beach reading the latest Dan Brown? The COOL-ER is a great device for the price. If they could address the software issues in a future firmware release, it would be an excellent purchase.

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Getting to the bottom of the buttons

Filed under: Computing,FLOSS,Media,Ubuntu — Tony @ 9:07 am

There has been a lot of discussion about the experimental move of the window buttons (maximise, minimise, close) from the right hand side of the window to the left in the new theme for the next release of Ubuntu, Lucid Lynx. People have approved of the innovation, submitted it as a bug and helped people to change the buttons back to the right hand side. Some people said that they felt the decision to change the button location was made without consulting the community.

We were extremely pleased to be able to interview Ivanka Majic on the Ubuntu Podcast from the UK Local Community. Ivanka is the Design Team Lead for Canonical, the team responsible for the new look and feel of Ubuntu, from the ethos of the rebranding, through to the website to the font and of course the pesky window button placement. She talks about the button placement, the work of her team, why it is so important to have good data to back design decisions up and communicating with the community. It was a fascinating discussion which could have gone on for three times as long. I hope to have the opportunity to meet Ivanka in real life to continue it one day! The lengthy interview makes this bumper edition of the show “Behind The Screen” especially worth listening to.

You can download the episode here:

– MP3 (81MB download)

– OGG (40MB download)

When you’ve listened, please give us your feedback. Details are on the website.

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March 3, 2010 - Quick Podcast Pimp

Filed under: Advocacy,Computing,FLOSS,Media,Ubuntu — Tony @ 10:42 pm

We’ve just released the latest episode of the Ubuntu UK Podcast. In this episode we’ve got an exclusive interview with Stuart Langridge about the Ubuntu One Music Store. We also discuss the new branding for Ubuntu, which has just been announced! There’s a whole heap of other stuff in there too – a Command Line Lurve, the “Bit About Ubuntu” and some great feedback. Download it now!

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February 17, 2010 - Ubuntu UK Podcast Season Three

Filed under: Advocacy,Computing,FLOSS,Ubuntu — Tony @ 7:53 pm

The first episode in the third season of the Ubuntu Podcast from the UK local community was released today and has already received a great response from listeners in the IRC channel. Hopefully the release will keep those who have been pestering for an episode happy for now. Despite repeated mentions in the final episodes of season two and comments in the blog posts for the episodes, at least two people assumed that our season break meant we had stopped doing the show entirely! I can’t quite work out why, if people are bothered by the absence enough to blog/tweet/dent/post about it that they haven’t listened to the episodes!

We haven’t made any major changes to the format from the last season, although we may have a few surprises up our sleeves for later in the year.I think we all felt a bit rusty at the recording session, even after only six weeks off! Interviews are always difficult but that’s what we tackled first. Other than that, the episode was recorded in order.

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January 12, 2010 - OggCamp10 – Free Software, Free Culture, Free Thinking

Filed under: Advocacy,Computing,FLOSS,Media,Ubuntu — Tony @ 8:47 pm

It seems like the first OggCamp was only a few weeks ago, but already the plans for the next OggCamp are out. Oggcamp10 as we are wittily calling it, will be at the Black-E centre in Liverpool on the 1st-2nd May.

OggCamp 10

This year’s event will be bigger and better than before, stretching over two days. The venue is a very cool community arts centre in a very cool city. It’s an unconference, so we don’t know what’s happening over the weekend yet, apart from there being another Linux Outlaws and Ubuntu UK Podcast live recording. We are keen to expand the free culture side of the event this year, whilst still retaining a good deal of Linux geekery, so the tagline is “Free Software, Free Culture, Free Thinking”. Get your thinking hats on, we need some great talks offered by you, the lovely attendees!

This year there will also be an official Friday night event: the Rathole Roadshow featuring David Rovics and Attilla the Stockbroker.

If you’re planning on coming, please sign up to the Facebook event. It’s not compulsory, but it’s a great help to us if you do! You can also keep up-to-date with us on twitter and identi.ca. There will be more details going up on the website soon.

If you’re not sure what all this OggCamp stuff is about, check out the retrospective of last year’s event.

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December 25, 2009 - Zoom R16

Filed under: Computing,Media,Ubuntu — Tony @ 9:30 am

The Zoom R16 is a multi-track solid-state recorder, capable of recording 8 tracks simultaneously and playing back an additional 8 tracks. It retails in the UK at about £350. It is a much more complex and sophisticated device than the Zoom H4n which I reviewed earlier this year. This is evident from the proliferation of buttons across its face. In addition to the faders for each individual channel, there is an array of cryptically-named single-function knobs. Happily there is a basic recording guide at the front of the manual which helps the user get up and running quickly with the most simple of multi-track recording tasks.

Zoom market the R16 as a multi-function device, not just a portable multi-track recorder, but a control surface and multi-channel sound card. When you consider the price of equipment needed to get similar functionality (e.g. an Alesis Master Control, a MOTU 896HD or MOTU 8Pre), it looks especially good value. To have it all in one unit makes this sort of technology much more accessible the keen amateur or anyone operating on a tight budget.

We used the R16 for recording an episode of the Ubuntu UK Podcast, as well as the live show recorded with the Linux Outlaws at OggCamp. It was vital that the pressure of providing a live sound mix for the OggCamp audience did not get in the way of capturing a good recording for the many thousands more people who would download the episode after the event. The R16 is primarily designed for musicians, which I am most certainly not, but Zoom certainly see podcasters as part of their market so I was pleased to try the R16 out. My “use case” meant that I didn’t need to try out the many effects available, but was able to record and bounce down a podcast recording session to a stereo pair pretty easily.

I purchased an 8-way jack-to-jack loom to allow me to take the direct output from each of 8 channels on my Soundcraft M12 mixer to the R16. This worked beautifully, giving me a pre-fade recording of each track on the R16 but also allowing me to mix the live audio. The pre-amplifiers cope well with the signals fed from the desk, and the peak indicator LEDs are useful for an engineer who has to monitor both a live desk and recording equipment.

The transport controls should be familiar to anyone who has used a software DAW. The display is backlit and clear, but a little cramped for the complexity of the menus through which one has to navigate to complete pretty much any operation on the R16. There are menu maps in the manual, and it does become easier with familiarity, but a larger LCD screen would be a welcome upgrade in any future revision.

The build quality of the R16 is good, especially for the price. The faders aren’t as smooth as more expensive mixers, but are more than good enough. The buttons have a nice solid click and the jog wheel feels firm too. The rear of the unit sports 8 multi-purpose XLR and jack sockets, which also feel solid.

The R16 supports SDHC cards up to 32GB, though it only comes supplied with a 1GB card. If you were recording all 16 tracks, 1GB would fill up in about 12 minutes or so. That’s more than enough for most songs, but nowhere near enough for an album (or podcast!) so most users will want to buy a few large SD cards if they plan to work on a variety of projects. The cover for the SD card slot is not hinged, but comes right off. There is a screw hole which can be used to secure the cover permanently, but for those who wish to change the card even irregularly the detachable cover seems cheap compared with the rest of the product.

The R16 can be run from batteries, and it claims to run for over 4 hours on 6 AA batteries, but the supplied PSU is very light so I’d suggest carrying it around with you anyway. It can also be powered from the USB bus of an attached laptop, which is handy. There are also two built-in microphones, the same excellent ones found in the H4n, which makes the R16 suitable for making even simple recordings. However, the unit is much bigger than a handheld one, not something you’d be able to just slip into a backpack. It isn’t supplied with a protective cover, but there is one available from a company called Tourtek.

Phantom power is restricted to just two microphone inputs. I suspect this is because the power required to drive more than two phantom power devices is too great for the PSU or batteries to deliver. Two of the 8 channels can be switched over to the internal microphones and another two switched to a high impedance input to accomodate line outputs from other equipment.

Being a Linux user, rather than Mac or Windows, I connected the R16 to my PC running Ubuntu 9.04. (Zoom do not claim to support PCs running Linux, so this was entirely specualative on my part, but important to me, and I suspect important to the majority of my readers.) Whilst it works flawlessly as a mass storage device, giving you access to the contents of the SD card over a USB connection, it does not work as an external sound card. Not being a simple stereo device, it does not use the USB audio interface common to just about every other external sound card. This is obviously a technological restriction, but a frustrating one nevertheless. I can only hope that either Zoom or some clever folks in the Linux community are able to produce an Open Source driver, as the versatility of the R16 is one of its major selling points and at the moment Linux users are missing out.

A similar story applies to my attempts to use the R16 as a control surface with Ardour. It seems there is no common standard for control surfaces, so support for each one must be written separately. At the time of testing, there was no support for the R16 in Ardour, so I wasn’t able to test this aspect of it either. The unit does come bundled with Cubase LE 4, which presumably does integrate with the R16 as a control surface.

Overall, the R16 is a great device at a very agreeable price. Even though I wasn’t able to use all of its functionality, it did its job as a multi-track recorder superbly. Zoom have done a great job of incorporating functionality previously only found in separate units into one superb package.

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